2020, Dr Jan Bryant, Art Making in the Age of Global Capitalism: Visual Practices, Philosophy, Politics, Edinburgh University Press

2020, Abbra Kotlarczyk, ‘Queer uses of colour, A tinted hermeneutics,’ Artlink: Australian Contemporary Art Quarterly, March 2019

2018, Stella Maynard and Em Size, 'All Ears: A listening party,' Running Dog, 4 October 2018

2017, Amelia Wallin, More than mere jelly, Exhibition Catalogue, Hessel Museum of Art

2017, Dr Courtney Coombs, ‘Queer Feminism, intersectionality and awkward conversations’Artlink: Australian Contemporary Art Quarterly, Iss. 37:4, December 2017, pp 56 – 61

2017, Dr Helen Hughes, ‘Performing Genealogies: Contemporary Performance Art After Mike Parr’ in Mike Parr: Language and Chaos, Exhibition Catalogue, Elspeth Pitt and Roger Butler (Eds), NGA

2016, Dr Yang Yeung, ‘Art and What is Missing in the Socially-engaged’, Art Appraisal Club: Art Review Hong Kong, Iss. 1, 2016

2016, Amelia Wallin, ‘Maintaining the Manifesto’, Runway, Iss. 32: Re/Production, 2016
2016, Dr Kate Britton, ‘Queer Spritz’, Art Monthly, Iss. 286 / Summer 2015 / 2016

2014, Professor Anne Marsh, Performance Ritual Document, Australia: Macmillan Art Publishing

Barbara Cleveland selected texts ~

2019, Dr Tara McDowell, This Thinking Business: On Barbara Cleveland and the Dangers of Female FriendshipAccompanying text to This is a stained glass window, Sullivan + Strumpf, Sydney, 2019

2017, Sophie Knezic, 'Doubled up: non-coincidence and the comic body,' The Humours, Exhibition Catalogue, Monash University Museum of Art, Melbourne

2017, Sarah French, Staging Queer Feminisms: Sexuality and Gender in Australian Performance, 2005-2015, United Kingdom: Palgrave MacMillan

Published texts ~

2021, Of Panic and Annihilation (Or, of no relation), Interview with Virginia Barratt, Form X Content, Monash University Museum of Art

2021, Do you feel any pain or discomfort? or, EO Gill's CLEAVE, exhibition text for EO Gill, CLEAVE, Bundoora Homestead, 7 April 2021 - 26 June 2021 

2020, Curator's Talkforthcoming, accompanying publication to live performance, publication designed by Ella Sutherland

2020, 'Letter to a Butch Daddy Dyke,' Here&Now20: Perfectly Queer, exhibition catalogue, Lawrence Wilson Art Gallery, University of Western Australia. Edited by Brent Harrison 

2019, 'The Third Ear,' accompanying audio catalogue developed by Kate Britton and Hayley Forward to All Ears: A listening party, Campbelltown Arts Centre

2019, 'Justene Williams, She Came Over Singing Like a Drainpipe Shaking Spoon Infused Mixers, 2011,' 100 Works of the Monash University Collection, Monash University Museum of Art

2018, All Ears: A listening party, accompanying catalogue to live performance event, Campbelltown Arts Centre

2018, Into My Arms, accompanying catalogue to exhibition and live performance event, Ace Open

2017, 'Portrait/s of Embittered Swish,' Art and Australia

2016, 'Performance and Art Development Agency: Frances Barrett speaks with Co-Directors Emma Webb and Steve Mayhew,' Broadsheet, 45.1

2012, 'Time Capsule,' accompanying catalogue to Time Machine: A 12-day festival of experimental time-based art, Serial Space