Selected texts ~

2020, Dr Jan Bryant, Art Making in the Age of Global Capitalism: Visual Practices, Philosophy, Politics, Edinburgh University Press

2020, Abbra Kotlarczyk, ‘Queer uses of colour, A tinted hermeneutics,’ Artlink: Australian Contemporary Art Quarterly, March 2019

2018, Stella Maynard and Em Size, 'All Ears: A listening party,' Running Dog, 4 October 2018

2017, Amelia Wallin, More than mere jelly, Exhibition Catalogue, Hessel Museum of Art

2017, Dr Courtney Coombs, ‘Queer Feminism, intersectionality and awkward conversations’, Artlink: Australian Contemporary Art Quarterly, Iss. 37:4, December 2017, pp 56 – 61

2017, Dr Helen Hughes, ‘Performing Genealogies: Contemporary Performance Art After Mike Parr’ in Mike Parr: Language and Chaos, Exhibition Catalogue, Elspeth Pitt and Roger Butler (Eds), NGA

2016, Dr Yang Yeung, ‘Art and What is Missing in the Socially-engaged’, Art Appraisal Club: Art Review Hong Kong, Iss. 1, 2016

2016, Amelia Wallin, ‘Maintaining the Manifesto’, Runway, Iss. 32: Re/Production, 2016
2016, Dr Kate Britton, ‘Queer Spritz’, Art Monthly, Iss. 286 / Summer 2015 / 2016

2014, Professor Anne Marsh, Performance Ritual Document, Australia: Macmillan Art Publishing

Barbara Cleveland selected texts ~

2019, Dr Tara McDowell, This Thinking Business: On Barbara Cleveland and the Dangers of Female Friendship, Accompanying text to This is a satined glass window, Sullivan + Strumpf, Sydney, 2019

2017, Sophie Knezic, 'Doubled up: non-coincidence and the comic body,' The Humours, Exhibition Catalogue, Monash University Museum of Art, Melbourne

2017, Sarah French, Staging Queer Feminisms: Sexuality and Gender in Australian Performance, 2005-2015, United Kingdom: Palgrave MacMillan

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